The long read, interviews and stories that we focus on.
This essay examines the idea of the collective and collaboration in relation to, and in resistance against, fascism and populism.
A concise exploration of sound as weapon and instrument of control, coercion, and myth-making, from Jericho to Gaza, Beirut and Belgrade.
Excavated Shellac focuses on music recorded across the non-Anglo world, offering a taste of the music being made in myriad communities at the dawn of recorded sound.
From archaic phonos to “Made in Romania“, here's a look on how the term “Balkan” is used in the construction and perception of rock music and manele.
Two of Australia’s best known field recordists, Ros Bandt and Vicki Hallett are sensing this slice of the planet – the Barwon Estuary in Victoria, Australia, a project that interrogates place as an acoustic space where sound, place, time and culture collide.
Inherently bond between folklore and DIY-underground, the Irish group Lankum shines a new light on the lost folk of Ireland.