The long read, interviews and stories that we focus on.
Established in 1976 and lasting until 1989, this festival appeared in the immediate aftermath of the Romanian communist regime’s inclusion of nationalistic elements into its official socialist ideology.
This essay examines the idea of the collective and collaboration in relation to, and in resistance against, fascism and populism.
A concise exploration of sound as weapon and instrument of control, coercion, and myth-making, from Jericho to Gaza, Beirut and Belgrade.
Excavated Shellac focuses on music recorded across the non-Anglo world, offering a taste of the music being made in myriad communities at the dawn of recorded sound.
From archaic phonos to “Made in Romania“, here's a look on how the term “Balkan” is used in the construction and perception of rock music and manele.
An insight into the multifaceted world of sonic dramaturgy, seen here as an art form positioned at the confluence of radio art and sonic fiction.