Let’s dive into last month’s finest musical discoveries.
A very good reason to stay inside and do absolutely nothing.
A selection of albums and compilations released in the past month, to soundtrack this hot summer.
Enjoy this selection of albums and compilations released in the past month.
A discussion on culture, care, and the algorithm, with Ulrik Schmidt and Holger Schulze, co-organizers of the Ambient Music Conference.
Critical explorations, wicked problems, and small wonderments. Hurry up, registration for the conference ends on June 15!
Check out a selection of albums and compilations released in the past months.
By pleading for building future oriented sound archives, this paper explores the distinction between hearing as a physiological act and listening as an intentional, interpretive process.
By mixing social meaning with the physical and technical world, Hand to Earth's sound world is a bridge, a sonic crossing, a path to understanding foregrounded by sound.
Pirate radio stations in post-communist Bucharest functioned as alternative cultural infrastructures, community-building platforms, and mechanisms of legitimation for music excluded from legal FM.
Let’s dive into last month’s finest musical discoveries.
A very good reason to stay inside and do absolutely nothing.
As we move into a future of growing globalization and technology, Roma music is more than likely...
Experimental music—the art form that once prided itself on rupture and resistance—now...
As it is obviously impossible to stop questioning the sonic implication of the end, we might take a dive right into the limit, right into the membrane of perception.
An exploration into how the adhān (Islamic calls to prayer) operates as a political sound object, emphasizing sound production, spatial dissemination, and socio-political control.
On the stigmatisation of Roma identity, transitional justice and retributive law, with The Virtual Museum of Romani Culture as case study.
An insight into the multifaceted world of sonic dramaturgy, an art form positioned at the confluence of radio art and sonic fiction.
Experimental music—the art form that once prided itself on rupture and resistance—now operates within a strangely predictable grammar of presentation and reception.
Established in 1976 and lasting until 1989, this festival appeared in the immediate aftermath of the Romanian communist regime’s inclusion of nationalistic elements into its official socialist ideology.