A selection of albums and compilations released in the past month, to soundtrack this hot summer.
Enjoy this selection of albums and compilations released in the past month.
A discussion on culture, care, and the algorithm, with Ulrik Schmidt and Holger Schulze, co-organizers of the Ambient Music Conference.
Critical explorations, wicked problems, and small wonderments. Hurry up, registration for the conference ends on June 15!
A brief selection of albums and compilations released last month.
Here's an exquisite digest of albums and compilations released in March.
By pleading for building future oriented sound archives, this paper explores the distinction between hearing as a physiological act and listening as an intentional, interpretive process.
Pirate radio stations in post-communist Bucharest functioned as alternative cultural infrastructures, community-building platforms, and mechanisms of legitimation for music excluded from legal FM.
Sounds of desire are not merely cultural artifacts, but potent neurobiological stimuli interacting with profound predictive and affective systems.
Over four decades of communist rule in Romania, Romani professional musicians known as lăutari lived a paradoxical existence.
As it is obviously impossible to stop questioning the sonic implication of the end, we might take a dive right into the limit, right into the membrane of perception.
A selection of albums and compilations released in the past month, to soundtrack this hot summer.
Enjoy this selection of albums and compilations released in the past month.
As we move into a future of growing globalization and technology, Roma music is more than likely...
Experimental music—the art form that once prided itself on rupture and resistance—now...
On the stigmatisation of Roma identity, transitional justice and retributive law, with The Virtual Museum of Romani Culture as case study.
An insight into the multifaceted world of sonic dramaturgy, an art form positioned at the confluence of radio art and sonic fiction.
Experimental music—the art form that once prided itself on rupture and resistance—now operates within a strangely predictable grammar of presentation and reception.
Established in 1976 and lasting until 1989, this festival appeared in the immediate aftermath of the Romanian communist regime’s inclusion of nationalistic elements into its official socialist ideology.