Ideas or essays written from a more personal point of view.
Experimental music—the art form that once prided itself on rupture and resistance—now operates within a strangely predictable grammar of presentation and reception.
In today’s globalist existence, the Other is everywhere, everyone is an Other for somebody; this is an attempt to deconstruct the way we, as a society, perceive the Stranger.
I rely on different modal harmonies from Western and Iranian music and embrace a hybrid of sonorities that can belong to either of the traditions.