The Monthly Dig - October 2026

The Monthly Dig - October 2026

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Dragoș Rusu

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Welcome to the October edition of the Monthly Dig, our regular roundup of the best new music to get you through the increasingly dark days. The music presented here is a carefully curated selection of albums and compilations entirely from the past month. Whether you're looking for free-jazz/free-improv, ambient, experimental or even something to soundtrack a melancholic stare out of a rain-streaked window, we have you covered.

What's new, what's good, what's hot or not, what's obscure or under the radar, music wise, here's the Monthly Dig. If you think that we've missed a hidden gem or you want to send a tip our way, please get in touch.

From Bow and Arrow to Cecil Taylor Unit

Bhajan Bhoy - Electrisol (Cardinal Fuzz / Feeding Tube Records)
Bhajan Bhoy - Electrisol (Cardinal Fuzz / Feeding Tube Records)
Basma & Temir Alcy - NAD (ناض) (Stroom)
Basma & Temir Alcy composes music of thresholds: a space where one moves between night and dawn, between what fades away and what remains. Basma, a French-Moroccan singer, develops sung narratives in Moroccan Darija. She explores links between her heritage and intimate spaces, bringing stories and sensations that seek another form of existence to light. Temir Alcy (Enir Da – cofounder of Dali Muru & The Polyphonic Swarm, multi-instrumentalist Charles Lmx & Lucas Valero) moves between ambient, leftfield and experimental folk forms, where acoustic instruments, electronic processes and hypnotic rhythms intertwine.

Bhajan Bhoy - Electrisol (Cardinal Fuzz / Feeding Tube Records)
There are records that feel assembled, and there are records that feel discovered. Electrisol, the latest transmission from Ajay Saggar's Bhajan Bhoy project, belongs firmly in the latter category. It arrives like a weather system drifting in from some uncharted zone where psychedelic folk, dub science, kosmische electronics, shoegaze drift and field-recorded ghosts all coexist in a strange but entirely logical ecosystem.

BNNT / Radwan Ghazi Moumneh - A Faithful Daughter (Ruptured / Instant Classic)
BNNT / Radwan Ghazi Moumneh is the musical collaboration between the Polish experimental duo BNNT and the Lebanese-Canadian producer and sound artist Radwan Ghazi Moumneh. The trio officially released their critically acclaimed collaborative studio album, A Faithful Daughter. The material was originally tracked over four days in December 2018 at the famous Hotel2Tango studio in Montréal, which Moumneh co-owns. The project sat unreleased for nearly eight years due to a sequence of disruptive global and personal events, including the pandemic, regional conflicts, and shifting music industry realities.



Bow and Arrow - Bow and Arrow (NNA Tapes)
Somewhere between medieval plainchant, electroacoustic improvisation, and spectral folk song lies Bow and Arrow, the remarkable collaboration between Lea Bertucci and Michael Beharie. Their debut record occupies a space both ancient and uncannily contemporary. Bertucci calls it “devotional music for the age of alienation,” music that “sounds like the drugs kicking in.” Bells appear throughout the album as gestures of both anachronism and quiet resistance - a salve to a time of perpetual distraction. Bertucci and Beharie’s voices intertwine, dissolve into electronic distortion, and re-emerge in moments of harmony.

Cecil Taylor Unit - Live at the KiMo Theater Albuquerque 1979 (Black Editions)
Pianist, composer & bandleader Cecil Taylor's capacious & audacious originality reshaped twentieth-century music. In an astounding act of artistic forbearance spanning sixty years of performing & recording, Taylor didn't win over so much as wear down the jazz establishment through the force & brilliant execution of his ideas. His methodologies & language, if studied at all, remain unassimilated by the twenty-first century jazz mainstream & its institutions. Live at the KiMo Theater Albuquerque 1979 captures Taylor on November 20, 1979, during a rare tour of the American West with a then newly reconstituted quintet formation of his Unit.
Hautzinger / Zoubek / Schick / Buck - Pulsar (Trost Records)
Hautzinger / Zoubek / Schick / Buck - Pulsar (Trost Records)

From Giovanni Lami to Red Lily

V.A. - Filaments (Silver Threads)
Filaments is a 13-track compilation of experimental, ambient, electronic and electro-acoustic music by exceptional artists from three continents. Jo Johnson (quiet details, Muzan Editions, Mysteries of the Deep), who founded the label and curated this album, explains, “Filaments are the invisible threads that connect us across space and time, transcending borders, binaries and barriers. A place between voids.”



Geologist & Kyle Simon - The Sirens (Outside Time)
The sun sat high above the desert outside Joshua Tree on October 17, 2024, baking the rocks and shrubbery outside the Farrington Observatory as a small group of invited guests ventured up a steep path towards the telescope. Kyle Simon, the artist and printmaker who founded the Observatory, was standing outside the print studio sat below the towering cylindrical building, greeting friends alongside his wife Sarah and lifelong friend Brian Weitz, the musician widely known as Geologist of Animal Collective. Simon and Weitz had spent the previous day testing and retesting a system that would transform the light of the oncoming full moon captured by the gigantic telescope into a signal that would modulate the control voltage of Weitz’s modular synthesizer. As the sun dipped below the horizon line, the audience gathered on a small wooden patio surrounded by speakers while Weitz readied himself behind the array of patches and knobs. Simon addressed the group, presenting the history of The Sirens, the sonic exploration of the night sky’s mystical and scientific significance about to unfold.

Giovanni Lami - Fantarombo (Discrepant)
Discrepant presents Fantarombo, a new album by Giovanni Lami. While his previous works often moved through memory, residue, degradation, and dialogue with existing materials, Fantarombo takes shape as an unstable, bodily gesture. Sound is not recalled or reconstructed, but triggered, pushed, and set in motion as an active force. Lami approaches modular synthesis as a physical, hands-on practice rather than a technical exercise or display of system mastery. The modular setup becomes a responsive body: something to be nudged, listened to, and occasionally resisted.

Hautzinger / Zoubek / Schick / Buck - Pulsar (Trost Records)
Trost Records presents the new release of Pulsar, the otherwordly improvising quartet of drummer Tony Buck, trumpeter Franz Hautzinger, turntablist Ignaz Schick, and keyboardist Philip Zoubek, a collective comprising four of the world’s most distinctive, musically-deep experimentalists.

James Brandon Lewis / Red Lily - Calling Antonín (TAO Forms)
Tenor saxophonist-composer James Brandon Lewis returns with his 3rd scintillating Red Lily offering, following on the impeccable Jesup Wagon (2021) and For Mahalia, With Love (2023). Red Lily currently consists of Kirk Knuffke on cornet, Melanie Dyer on violin, Tomeka Reid on cello, Joshua Abrams on bass and Chad Taylor on drums – each a leading light on the American jazz scene. As Michael Beckerman, Dvořák scholar and dean of the UCLA School of Music, writes in the detailed liner notes for Calling Antonín, “the group blends chamber-like textures with the expressive fire of contemporary jazz, forging a language that is both deeply rooted and boldly forward-looking.”
Mali Obomsawin - Automatic (Out Of Your Head Records)
Mali Obomsawin - Automatic (Out Of Your Head Records)

From Mali Obomsawin to Orange Sunshine

Kukangendai - Baquet Wheel (Marionette)
Kukangendai are the innovative three-piece Kyoto based experimental rock band formed in 2006 with Junya Noguchi on guitar and vocals, Keisuke Koyano on bass, and Hideaki Yamada on drums. Their latest offering for Marionette, titled Baquet Wheel, is a purely acoustic endeavor, remarkably recorded live using Taku Unami's special binaural microphone. The trio seamlessly twist polyrhythms and melodies rooted in jazz, krautrock, blues, and Tuareg producing a timeless sound that preserves the primitive and memory evoking narratives buried deep within the music.

Mali Obomsawin - Automatic (Out Of Your Head Records)
Mali Obomsawin is a bassist, singer, songwriter and composer. She is a citizen of Odanak First Nation. For her new album, Automatic, Obomsawin collaborated with an array of musicians, including Andrew Broder (turntables, electronics), Adam O'Farrill (trumpet), Taylor Ho Bynum (cornet), Allison Burik (bass clarinet), Yuma Uesaka (tenor saxophone), Noah Campbell (tenor saxophone), Magdalena Abrego (electric guitar) and Zack O'Farrill (drums).

Maria W Horn - Melting Pillars of Snow (Xkatedral)
XKatedral is proud to present a new full-length album by label co-founder Maria W Horn. Melting Pillars of Snow is a collection of new compositions from the renowned Swedish composer written for Contrabass Recorder, Shō, Percussion, Electric Guitar, Voice and Electronics performed by Horn together with a chamber ensemble consisting of Anna Petrini, Mattias Hållsten, Magdalena Meitzner and Mats Erlandsson. The album also features narration by Horn as well as a guest appearance by Michael Gira on the first single Scythe of Saturn.

Orange Sunshine - Burnout at Roadburn (Bunker Records)
Orange Sunshine - Burnout at Roadburn was originally released as a cassette at Who Can You Trust? Records in 2013. This was the first Orange Sunshine live-release ever. Pumped up to the max by Guy Tavares himself in his hot tubes’ three by three no-nonsense tape master laboratory.



Pablo Volt y J.G.G. - Aquí me quedo (Pingipung)
Pablo Volt & J.G.G. make dub-folktronica the unpolished way: organs, horns, drums and synths, recorded loose, drenched in echoes and tape saturation. They met in Barcelona over a shared love of experimental beers and even more experimental sessions, determined to see how far their musical chemistry could take them.
V.A. - Yerevan Nights (Soviet Armenian City Pop 1986-1992) (Discotchari)
V.A. - Yerevan Nights (Soviet Armenian City Pop 1986-1992) (Discotchari)

From Tobia Poltronieri to Yayoba

Spiritczualic Enhancement Center - Could Have Been But Wasn't
Could Have Been But Wasn't is a voyage through the Center’s fantastical genres of Ottoman Acid Freakout, spaced-out Mutant-Disco and haunted end-times Collision Catharsis, passing through the Eleventh Raga to a Disco Beat before culminating with the title-track’s Nu Waltz for the Wee Hours, recorded at the Copenhagen Jazz Festival.



Stephen Rush and Rafael Toral - Michigan Quintet (Infrequent Seams)
This album came out of an invitation by electronic musician Rafael Toral to Stephen Rush - to come to Lisbon (Portugal) and play a set of music with some or Rafael’s talented friends from Portugal. Rafael had presented a concert in Ann Arbor - where Stephen lives - and stayed at Steve’s place. A friendship evolved and as such - so did this project. It was an open set of improvisation, met with many surprises. The listening is keen, and there is ample solo space for each person - a testament to the great ears in the band. Stephen, though often known for his piano skills, plays only a Micromoog - which, when turned on, blew out the club’s power. Rafael advised him to switch the output on the back of the keyboard to 220v. Everything from there on is fine. Listen to the listening as you listen.

Tobia Poltronieri - La voce della padrona (Torto Editions)
Coming from an undefined space, dispersed sounds open a room in an old house, where the furniture speaks of dust and the cotton bed sheets, locked in the wooden wardrobe, have become the den of spiders who are now the landlords. It is the past that determines the present, and our ancestors watch us from a nearby constellation, approving the musical tribute that Tobia Poltronieri recorded in the places and spaces we inhabit every day.

Tony Elieh - Sighs – آهات (Asadun Alay Records)
On Sighs, Tony Elieh deploys chopsticks, metal balls and silicon rods spun by an electric toothbrush alongside occasional electronics to expand the textural possibilities of the electric bass guitar. Created after Elieh moved to Berlin from Beirut, the record documents turning points personal and musical. From a poor background, Elieh had to make pragmatic choices to shield his family from poverty. In Beirut he worked in marketing for a decade until depression pushed him to escape and become a photographer. Outside day jobs he was a member of post-rock band The Scrambled Eggs as well as other projects around Beirut.

Yayoba - Matkat (Not Not Fun Records)
The latest by international psycho-acoustic guild Yayoba takes its title from the Finnish word for ‘journeys’ or ‘trips,’ evoking both the music’s questing spirit and its cosmic, lysergic ethos: Matkat. The album’s 14 tracks span the gamut of the group’s surrealist world-building.

V.A. - Yerevan Nights (Soviet Armenian City Pop 1986-1992) (Discotchari)
This compilation pulls back the Iron Curtain to bring a bevy of physically unreleased music of Soviet-era Armenia. Songs that were exclusively broadcast on radio and television, stored on reel-to-reel tapes, and shelved in a government-owned vault alongside tens of thousands of various recordings by Armenian artists - all inaccessible to the public. The sixteen songs on this compilation were recorded while generational shifts occurred on opposite sides of the Asian continent: the rising actions of both Japan's bubble economy and the Soviet Union's slow-burn downfall are historically pinpointed in 1985 and reached a paradigmatic climax by 1990. Consider the Armenian Soviet Socialist Republic, where the dichotomy is even more stark. Unpacking this chronology sufficiently would require volumes; the purpose of this compilation is rather to pose a question worth solving: how did these societies produce the same audible result from opposite socioeconomic spheres?
About the Author

Dragoș Rusu

Co-founder and co-editor in chief of The Attic, sound researcher, DJ, and allround music adventurer, with a keen interest in the anthropology of sound.

@dragos_rusu_
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