The Monthly Dig - July 2026

The Monthly Dig - July 2026

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Dragoș Rusu

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Welcome to the July edition of the Monthly Dig, our regular feature, and your new favorite excuse to ignore the outside world. Think of this less as a simple list of albums, and more as an artisanal, immersive auditory cooling solution designed to synergize perfectly with sitting directly in front of a fan.

We’ve done the heavy lifting (so you don't have to sweat) and hand-foraged 16 absolute gems from the July crates. So grab a ridiculously cold beverage, claim your spot on the couch, and let’s dive into last month's finest finds.

What's new, what's good, what's hot or not, what's obscure or under the radar, music wise, here's the Monthly Dig. If you think that we've missed something or want to send a tip, please get in touch.

From Faris Ishaq to Francisco López

Ayman Asfour - Sardy Fardy سردي فردي
Ayman Asfour - Sardy Fardy سردي فردي
Ayman Asfour - Sardy Fardy سردي فردي
Sardy Fardy, composed by Ayman Asfour, grew out of a single idea: to write melodies inspired by Egyptian musical heritage, set inside a rhythmic framework built on odd meters (rhythms whose basic count is an odd number). The captivating result: familiar melodies molded into unfamiliar rhythmic shapes. These Egyptian melodic phrases share the ability to tell a story, giving voice to feelings like joy, sorrow, longing, and love. The tension in this unfamiliar combination of melody and rhythm evokes an older sensibility, one heard in some of Sayed Darwish's muwashahat and in the instrumental preludes of Mohamed Abdel Wahab and Baligh Hamdi. And yet, each composition explores how this friction between melody and rhythm creates unexpected potential for experimentation and new sounds.

Bear Bones, Lay Low & Laszlo Umbreit - Tales from the Source (Discrepant)
Discrepant presents the LP edition of Tales from the Source, the original film soundtrack by Bear Bones, Lay Low and Laszlo Umbreit. Originally composed for Belgian-Congolese artist Léonard Pongo’s 2024 film of the same name, this release reworks the film's audio into a continuous, fluid listening experience.



Faris Ishaq - JASAD
JASAD جَسَد (Arabic for “Body”) is a breath-driven manifesto by Palestinian Nay virtuoso and percussionist Faris Ishaq, reimagining the Nay, a flute with a 5,000-year history, as a contemporary, self-sustained acoustic landscape. Performing the Nay alongside a leg-mounted frame drum, the JASAD setup was born from the Nay’s raw intensity. Made of reed cane, with no mechanics, it responds solely to the player’s breath and intention, a quality celebrated in JASAD as living technology. Faris creates an array of breath-led extended techniques and intricate rhythms, trading electronic effects for acoustic illusions, woven live with his soulful lyricism into an immersive acoustic solo. Steeped from a young age in Dabke dance, he blends its earthy footwork with the rhythmic improvisational Nay tradition of Tashbib, shaping a synergy of Palestinian breath and culture. Infused with global jazz sensibilities, his original compositions move seamlessly between rich Arabic Maqam modalities and fierce, Coltrane-inspired arrangements, igniting an evolving dialogue between Tashbib and jazz.

Francisco López - TOKOLOSHE: Environmental Sound Matter from Southern Africa
“Things-in-themselves? [...] You complain about things that have not been honoured by your vision? You feel that these things are lacking the illumination of your consciousness? But if you missed the galloping freedom of the zebras in the savannah this morning, then so much the worse for you; the zebras will not be sorry that you were not there, and in any case you would have tamed, killed, photographed, or studied them. Things in themselves lack nothing [...]”. Bruno Latour – ‘The Pasteurization of France’

Hans Castrup + James Hill - The POSTbabylonian disPLAYing - Part I - V (Mahorka)
Hans Castrup and James Hill return with their second album on the Bulgarian imprint Mahorka, a work described as 'a new kind of industrial jazz orchestral sound'.
Lorena Alvarez & Alejandro Palacios - Jardín Giratorio (Not Not Fun Records)
Lorena Alvarez & Alejandro Palacios - Jardín Giratorio (Not Not Fun Records)

From Hypercube to Jad Atoui

Hypercube - Trace (New Focus Recordings)
The mixed quartet Hypercube (Erin Rogers, saxophone; Andrea Lodge, keyboards; Jay Sorce, electric guitar; Christopher Graham, percussion) releases their newest recording, Trace, which highlights the ensemble's dynamic approach to hybrid timbres and vanguard expression. Featuring works by Marcel Castro Lima, Seong Ae Kim, Corie Rose Soumah, Farzia Fallah, and Charles Rudig, Hypercube affirms themselves as a group that has gone beyond simply commissioning worthy composers to one that is actively shaping new aesthetic approaches to chamber composition.

HVL - Formation
Formation is a 14-track electronic music album by Tbilisi-based producer HVL (Giga Jikia), released in July. The record blends ambient techno, acid, dub, and experimental soundscapes into a cold, bass-heavy, and immersive atmospheric experience.

Jad Atoui - It Will Take Forever (Ruptured)
Beirut-based sound artist and improviser Jad Atoui returns with It Will Take Forever, a six-piece album built from live modular synthesis performances developed between 2023 and 2025. Moving through ambient noise and power electronics, the record channels states of pressure, exhaustion, rupture, and release into dense physical sound.

Jonas Bonnetta and Stefan Christoff - All in the Dawn (Okla Records)
All in the Dawn is a work by Jonas Bonnetta (synth, drums, electric bass, piano, and computer) and Stefan Christoff (piano and field recordings), two artists that have explored a wide variety of sounds and collaborations across the world. Bonnetta and Christoff hold space for artistic practices that are inherently informed by a belief in community spirit as a guiding beacon for both cultural creativity and social justice.



Lorena Alvarez & Alejandro Palacios - Jardín Giratorio (Not Not Fun Records)
Chilean duo Lorena Álvarez and Alejandro Palacios return with a second suite of poetic improv murmurings: Jardín Giratorio. Dusty horns trace smoke rings over daydream keys, seesawing strings, and whispery wah guitar. Instruments interweave and unravel in warm currents of light and shadow. Theirs is a hushed, tactile chemistry, roving the peripheries of low-lit ambient and narcoleptic jazz, unrushed and unspooling from turning gardens of the mind’s eye.
Marshall Allen - 101: An Audio Odyssey (Ropeadope)
Marshall Allen - 101: An Audio Odyssey (Ropeadope)

From PJS to Sir Richard Bishop

Lucas Sierra - Diario sonoro / Japón (Skupina)
Diario sonoro / Japón is the debut solo album by musician and composer Lucas Sierra, better known as a member of the Madrid-based indie trio La Paloma. "According to theory, music is born, at least in part, as an imitation of natural acoustic phenomena, but also as a form of spell. This sound diary, set in Japan, is a project that springs from the overstimulation that sprouts from the place itself. Its materialisation reflects the feelings that were present at the moment the sounds were captured." Itziar Feito



Marshall Allen - 101: An Audio Odyssey (Ropeadope)
Marshall Allen, current leader of the Sun Ra Arkestra, and electric bass legend Jamaaladeen Tacuma, former Ornette Coleman Prime Time member, came together at the Knoxville, Tennessee event, scooping up an array of collaborators like Nels Cline, immanuel Wilkins, DM Hotep, and Roberto Verástegui, for this wonderful session.

PJS - Auroras (Okla Records)
Comprising Patrick Dique and Jordan Christoff, PJS present a new album out on Okla. Auroras is a live, intuitive reflection of the moment - bubbling, free, and flowing, yet not always tranquil.

Rosso Polare - Cacciamali (12th Isle)
Cacciamali is an exploration of diegetic sound, folk chants and traditional rhythms and instrumentation building upon Milan based Rosso Polare’s last outing Campo Amaro and the subsequent departure of co-founder Anna Vezzosi from the group. Where the 2024 album incorporated a heavy use of folklore as a new tool, Cacciamali explores the influence further by bringing in a host of collaborative players including Italian avant-garde veteran Riccardo Sinigaglia, sound artist and researcher HMOT (Stas Shärifulla) and Persian/Parisian electro-acoustic musician Cinna Peyghamy.

Sir Richard Bishop - Hillbilly Erotica (Drag City Records)
In the words of Sir Richard Bishop, Hillbilly Erotica is “…still exploring the areas around these parts with a similar type of aggression [as Hillbilly Ragas], but as morning light approaches, a clearing or two present themselves, with hills and valleys viewable in the distance inspiring a slightly different sonic landscape. One could be forgiven for feeling a sense of relief from finally arriving from out of the night-time woods to a place which may seem less threatening in the daylight, but it’s a trap - the darkness of night is always right around the corner. Enjoy the postcoital smoke but tread carefully!”

Ute Wasserman - chimeric (Thin Wrist Recordings)
On her new album “chimeric”, Wassermann extends her voice with a wide array of implements; breath-driven drums, hydrophones used as throat microphones, bird whistles, jaw harps, brass megaphones. These objects don’t just function as embellishments or demonstrations, but rather, as companions – materials with which she communicates and is herself transformed. The result is a music in which the lines between self, object, and environment are constantly blurred, erased and redrawn.
About the Author

Dragoș Rusu

Co-founder and co-editor in chief of The Attic, sound researcher, DJ, and allround music adventurer, with a keen interest in the anthropology of sound.

@dragos_rusu_
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