The Monthly Dig - May 2026

The Monthly Dig - May 2026

2 days ago

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Dragoș Rusu

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Your monthly music companion is here, bringing a carefully curated selection of albums and compilations released in May. From ambient to experimental, jazz, electronics, psychedelic rock and beyond; both new releases and reissues.

What's new, what's good, what's hot or not, what's obscure or under the radar, music wise, here's the Monthly Dig. If you think that we've missed something or want to send a tip, please get in touch.

From Alabaster DePlume to Damenja

Heith & Tarawangsawelas - Duori (Stroom.tv)
Heith & Tarawangsawelas - Duori (Stroom.tv)
Adrian Rew - Slot Machine Music, Vol. 1 & 2: Field Recordings from Middle American Casinos (Death Is Not The End)
Video gambling addicts, academic researchers, and industry professionals alike describe the trancelike state into which problem gamblers suspend themselves with remarkable consistency: they unanimously call it the machine “zone,” a kind of inner experience during which the rhythmic flow of human-machine collusion borders on mysticism. For a more in-depth analysis, read also Sounds of Desire: Slot Machines and the Dopamine Trap.

Alabaster DePlume - Dear Children of Our Children, I Knew: Epilogue (International Anthem)
This new material was recorded during the middle of DePlume’s March 2025 US tour. He had been playing shows with bassist Shahzad Ismaily and drummer Tcheser Holmes, performing music from his critically acclaimed album 'A Blade Because A Blade Is Whole' (released March 2025). The trio’s onstage rapport was so immediate and strong that, on an off day in Brooklyn, DePlume chose to capture that connection, recording this collection of instrumental pieces shaped by the experience of performing, sharing, and improvising off the music of A Blade for audiences across the US.

Alvarius B. - Malarial Dream (Abduction)
Alan Bishop's solo persona appears again from his now 15-year-old home of Cairo where it was recorded in and around many other projects over the past few years. And unlike his more recent singer/songwriter material, Malarial Dream drifts closer to latter day Sun City Girls (Mister Lonely/Funeral Mariachi) amidst a melodic Middle Eastern and beyond psych-warped folk setting. Mostly instrumental and, except for two obscure covers, original compositions that feature a cast of extraordinary players: Adham Zidan, Aya Hemeda, Cherif El Masri, and Morgan Mikkelsen (The Invisible Hands), Maurice Louca and Sam Shalabi (The Dwarfs of East Agouza), Amelie Legrand, Asher Gamedze, Eyvind Kang, Hana Al Bayaty, Huda Asfour, and Sammy Sayed.



Damenja - The birds will always sing (self-released)
Damenja’s LP The birds will always sing is an immersive, 39-minute electronic album that seamlessly blends industrial textures with serene, natural beauty.

Heith & Tarawangsawelas - Duori (Stroom.tv)
Heith and Tarawangsawelas met in Bandung in 2017, since then their collaboration has been evolving, both in person and remotely. The result is ‘Duori’ an album of 5th world music in low data mode that travelled inside lost and found portable recorders, on defunct hard drives and expired e-sim cards. Recording and arranging songs over a long period of time and across a vast geographical distance has lent their practice a distinct character. This distance allows the possibility to see things from different perspectives and creates music that hovers both inside the Sundanese Land, and outside of it, both on the European continent and not. This record carries compositions from one side of the globe to the other, catching spirits and energies from different places, societies and rituals.
Khôra & Mas Aya - Primordial Mind (Marionette)
Khôra & Mas Aya - Primordial Mind (Marionette)

From Manja Ristić to Meridian Brothers

Khôra & Mas Aya - Primordial Mind (Marionette)
Primordial Mind forms the mysteries and intensity of inner life into eight mandalic instrumentals where Mas Aya and Khôra, artists who share 15 years of music making, orchestrate an inspired, prismatic palette of percussive and melodic sources. Each composition presented stages a vigorous meshwork of colours and textures, contrasting riveting polyrhythms with towering arrangements for flutes, synths, and processed acoustic instruments. Tendencies which the artists trace in their solo practices are amplified, blended, and refracted sublimely in unison, serving as energetic portals to collective awareness.

Manja Ristić - Lights shimmered like whispers in the depths of the trees (Sawyer Spaces)
Lights shimmered like whispers in the depths of the trees is the title of an experimental electroacoustic album by the acclaimed Serbian sound artist, violinist, and poet Manja Ristić, released through the boutique avant-garde label Sawyer Spaces. The title itself originates from a poignant poem Ristić wrote to honor her grandmother, Negosava Ristić (née Stefanović), and the youth of post-WWII Yugoslavia who quite literally rebuilt their country from the ashes with their bare hands.

Meridian Brothers & Mexican Institute of Sound - Ruido Tovar (Ansonia Records)
Mexican Institute of Sound (MIS) and Meridian Brothers join forces on Ruido Tovar, a cross-border collaboration that reimagines the tropical traditions linking Mexico and Colombia. Drawing inspiration from icons like Rigo Tovar and the psychedelic Mexican cumbia era, the project blends danzón, son, cha-cha-cha, and experimental electronics into a vibrant new language. MIS’s genre-bending electronic tropicalism meets Meridian Brothers’ avant-garde eccentricity, resulting in a sound that is both reverent and playfully distorted. Together, Camilo Lara and Eblis Álvarez pay tribute to decades of musical exchange while pushing tropical music into unexpected territory.

Osiana - Vol.1 (self - released)
Osiana is a "three-headed psychedelic heavy rock entity in the style of the ancients. We worship the legacies of Mizutani, Nanjo and Narita as well as the paths of Ash Ra, German Oak and Trad, Gras och Stenar. It's not about innovating, it's about locking into a high energy zone thru the spirit of Rock." With Ernie G (guitars/vocals) aka Bear Bones Lay Low, Nils Vomit (bass/vocals) and Seb from the Hood (drums). The first volume comprises four heavy psychedelic demo tracks.



Parasite Jazz - ♫ ⎜II (Disques de la Spirale)
After its first release in 2023, the tiny big band Parasite Jazz brings its public iterations to fruition with “♫”, a testament to an alternate reality, matured voyaging across France over the span of four seasons. It sees the music flee through exuberant forests and steep troglodytes; a parallel genre movie with a soundtrack of diluvian rhythms, mocking chants, jazz noir and voodoo accidents. In this shifting, autonomous world, the elastic orchestra—whose members keep on appearing and disappearing—plays for nocturnal secrets and feverish cavalcades. For this album, the band comprises of Tamara Goukassova (violin, synth, ocarina, voice, objects), Alexandre Larcier (samples, tapes, live dubbing), Théo Delaunay (drums, percussions, bass), Nadia Mars Goodwater (voice and original bass idea on ケタケタ, trumpet on Piano Cat & Choir Culture), Radio Hito (voice on Bongopoly - words are from Octavio Paz - “Piedra del Sol”) and Kyle Knapp (saxophone on Mascarade).
Rocke Burwell - Obsession - Original Motion Picture Soundtrack (Waxwork Records)
Rocke Burwell - Obsession - Original Motion Picture Soundtrack (Waxwork Records)

From Schatterau to Shaded Houses

Rocke Burwell - Obsession - Original Motion Picture Soundtrack (Waxwork Records)
The Obsession Original Motion Picture Soundtrack features Rock Burwell's debut film score. Co-created with director Curry Barker, it delivers an atmospheric, synth-driven, and disorienting soundscape.

Sauges - Pizza Soleil (Wabi-Sabi Tapes)
Born out of a creative residency within the Morse project in Bergerac, the second album by the duo Sauges - composed of Sig Valax and Jules Wysocki - paints horizons that elude us. Anatolian accents, noisy outbursts, and panoramas that are at once caustic and melancholic, coalesce and intertwine throughout a sweeping listening experience.

Schatterau - Wir gingen durch leere Stunden (Hands in the Dark)
Schatterau’s third album, Wir gingen durch leere Stunden (We went through empty hours), sees the German duo blossoms with beauty and sophistication through a broad creative language. This opus, presented in the form of vivid auditory tableaux vivants, explores the topography of memory as a landscape in constant motion—full of loops, feedbacks, and mirage-like distortions. Sounds climbing like vines over old walls, concealing details only to reveal new ones. Some pieces feel like fragments of a dream whose origin has vanished, others like displaced echoes of a day long gone.

V.A. - Sîya (Shelter)
Sîya; the Kurdish word for ‘shadow’, represents what is found outside of conscious perception: the echoing trails of movement, emotional residue and subliminal rhythms discovered in negative space. For this Various Artists compilation, expect contributions from Fumantum, YUNIS, State OFFF, Rumina, MYEN, Oblinof, Roma Vjazemski and more.



Shaded Houses - Family Trees (Wormhole World)
Family Trees is the debut album by Shaded Houses, an ambient, drum-less project based in Sicily, released on the UK label Wormhole World. The 31-minute, five-track experimental record features slow, minimal, and resonant soundscapes blending quivering drones with delicate piano.
Yassine Nana - Modern Pop from Mauritania (1984-1989) (Bongo Joe / Sofa Records)
Yassine Nana - Modern Pop from Mauritania (1984-1989) (Bongo Joe / Sofa Records)

From Titi Robin to Visible Cloaks

The Handover - New Old Medicine (Sublime Frequencies)
The Handover is back with their second long form composition, New Old Medicine. Aly Eissa (oud), Ayman Asfour (violin), and Jonas Cambien (vintage organ/synth) have been cutting their teeth on the international touring circuit for the past two years, landing from town to town in their seductive spaceship to blow people's minds and then dematerialize into the void. An outline for a new piece began to emerge along the route and late last year during a stop in Berlin, this metamorphosis of the trio's sound was recorded in pristine form by Rabih Beaini at Morphine Studios.



Titi Robin - Lovari (Hot Mule)
An improvisational musician, composer and poet, Titi Robin has travelled extensively since the early 1980s – from Brittany to Catalonia, India to Morocco – crafting his own musical aesthetic. Throughout his journey, he has built bridges between his native Anjou, where he still resides, and the Roma cultures of many lands. Neither a compilation nor a mere summary, this selection offers a certain perspective on his body of work, which has earned him praises by luminaries like Peter Gabriel or Brian Eno.

V.A. - Tokyo Pulse - Japanese Funk, Modern Soul and City Pop from The Tokyo Scene1974-88 (We Want Sounds)
Hot on the heels of the Tokyo bliss and Funk Tide sets, Tokyo-based DJ Notoya delivers Tokyo Pulse a new juicy selection of Funk and Modern soul recorded in Tokyo in the 70s and 80s. Most tracks here are making their debut outside of Japan and the album, like its predecessors, has been designed by Manuel Sepulveda (Optigram) and is annotated by DJ Notoya. The audio has been newly mastered in Tokyo by Nippon Columbia Records and remastered for vinyl by Colorsound in Paris.

Visible Cloaks - Paradessence (RVNG Intl.)
Paradessence, Visible Cloaks’ third full length, is a work of emergence and illusion. The album’s fourteen songs shift, heave, and shimmer against a faintly luminous backdrop of night, a cavernous space shaped by sparse hyperreal representations of the natural world. The arrangements are simultaneously grandiose and fragile, both an inversion and culmination of what came before and as adventurous as anything they’ve produced so far.

White Heaven - Next to Nothing (Black Editions)
Black Editions presents the expanded and definitive edition of White Heaven’s brilliant third album Next to Nothing. Originally released in 1994 by Tokyo’s Noon Disk, the full album was only ever available in a limited vinyl pressing of 250 copies. Since then, it has become one of the most sought-after artifacts of the 90’s Japanese underground and is regarded as a highpoint of Japanese psychedelic rock. Led by vocalist, songwriter and conceptualist You Ishihara, the album finds the group in a phase of refinement.

Yassine Nana - Modern Pop from Mauritania (1984-1989) (Bongo Joe / Sofa Records)
This compilation brings together eight tracks by Yassine Nana and his group, recorded between 1984 and 1989, during a key moment in Mauritania’s musical history. A central figure of one of the country’s most respected musical families, Yassine stands at the crossroads of a long-standing tradition and a period of deep transformation in form, sound and production. Recorded in Mauritania as well as during stays in Paris and Rabat, these songs integrate drum machines, synthesizers and electric guitars into Saharan musical structures. Influenced by reggae, soul and new wave, the group develops a sound that reflects the circulation of music and technology in the 1980s, while remaining firmly rooted in Mauritanian languages, themes and melodic systems. Love, travel, exile and music itself run through lyrics sung in Hassaniya and classical Arabic.
About the Author

Dragoș Rusu

Co-founder and co-editor in chief of The Attic, sound researcher, DJ, and allround music adventurer, with a keen interest in the anthropology of sound.

@dragos_rusu_
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