The Monthly Dig - January & February 2026

The Monthly Dig - January & February 2026

9 hours ago

Written by:

Dragoș Rusu

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Here's a selection of albums and compilations released in the first couple of months of 2026. As usual, expect anything from experimental to electronics, jazz, experimental, traditional, electronic, and beyond; both new releases and reissues.

What's new, what's good, what's hot or not, what's obscure or under the radar, music wise, here's the Monthly Dig. If you think that we've missed something or want to send a tip, please get in touch.

From Asher Gamedze to Ebauche

Comlosana - Plays Your Favorite Romanian Dance Music Vol. 2, Chicago ca. 1963 (Canary Records)
Comlosana - Plays Your Favorite Romanian Dance Music Vol. 2, Chicago ca. 1963 (Canary Records)
Angelo Repetto - Between Worlds: Interference (Subject to Restrictions Discs)
Zürich-based musician Angelo Repetto returns with his new album Between Worlds: Interference, released on Subject to Restrictions Discs. The record is the result of a unique collaboration with Argentinian visual artist Clara Grabowiecki, extending their immersive live project Between Worlds into a sonic and tangible form. "This album is a continuation of the deep conversations Clara and I had about concepts of perception that led us to question silence, time, transcendence, and the future", says Repetto. "It's not about finding answers, but about opening spaces where sound, image, and emotion can flow freely."

Asher Gamedze - A Semblance: Of Return (Northern Spy Records)
With A Semblance: Of Return, South African drummer, composer, and bandleader Asher Gamedze gathers a close ensemble of longtime collaborators to explore what he calls “practices of assembly” - ways of coming together, making sound, and imagining new and old modes of freedom. Based in the independent music scenes of Cape Town and rooted in Pan-Africanism and Black Consciousness, Of Return extends the political and musical commitments that have defined Gamedze’s work since Dialectic Soul (On The Corner, 2020), while opening a newly collective chapter in his practice, this time on Northern Spy Records.

Black Saturn & The Western Suburbs All Stars - Western Vetas of the Painters Canvas (La Voix Dans Le Désert)
This new album from Black Saturn & The Western Suburbs All Stars offers a modern take on the intersection of traditional Indian sounds and hip-hop music, out on the hip-hop label La Voix Dans Le Désert and available for a pay-what-you-want price.

Brice Kartmann - Totem Flotté (Unjenesaisquoi)
With Totem Flotté, Brice Kartmann delivers a first solo album of instrumental electronic music, in which the modular synthesizer becomes a true field of exploration and immersion. Sound engineer, musician, sound designer, and composer—particularly for documentary cinema—Brice Kartmann shifts his experience of image and narrative into a purely sonic realm. The album’s nine pieces function like autonomous organisms, each endowed with its own breath, internal tensions, and movement.



Comlosana - Plays Your Favorite Romanian Dance Music Vol. 2, Chicago ca. 1963 (Canary Records)
In July 1927, Columbia Records recorded four performances in Chicago for the Romanian immigrant market, credited to the leadership of pianist and composer Joan Harțegan. On December 2, 1927, a sextet, now credited jointly to “Harțegan and Zmed,” recorded six sides for Victor at 952 N. Michigan Ave. in Chicago. Jump cut over 30 years, and the same two leaders self-released two scarce LPs having significant overlap of repertoire with the '20s recordings, with a band made up of the two middle-aged men, both of whom now used simplified Americanized names, and four teenagers from their community. The band was named Comlosana for the Comloşu Mare region of western Romania near the present-day Serbian border, south of eastern Hungary, where the band members’ families originated. (The name they gave their label was Banat after the larger historical region, including parts of present-day Serbia and Hungary.)

Ebauche - Nine Times (Supple 9)
Nine Times is the fifth album released under the name Ebauche by Alex Leonard. He had the idea in May 2023 to abandon the many machines he had available and focus his attention on a single tool: the compact and unique digital tape machine, the Bastl Thyme.
The Early - I Want To Be Ready (Island House Recordings)
The Early - I Want To Be Ready (Island House Recordings)

From Ken Ueno to Pharoah Chromium

Ishmael Ali - Burn The Plastic, Sell The Copper (Amalgam)
Cello dynamo Ishmael Ali’s debut solo album, Burn the Plastic, Sell the Copper features a remarkable crew of distinguished Chicagoans in various configurations in addition to solo performances interspersed throughout. The record on the whole highlights a wide array of Ali's unique language and propensity for collaboration, taking the listener through an eclectic but cohesive mix of music. Raw solo cello explorations, intimate duo improvisations, interactive electronics, rhythmic grooves, and singable (and sung!) melodies populate the record like characters whose voices interact, whose stories unfold over time.

Ken Ueno - Wavelengths (New Focus Recordings)
Ken Ueno's creative approach to composition shares an affinity with the percussion world; there is an underlying spirit of experimentation, problem solving, and deconstruction as a path to innovation that guides them. This clear-eyed perspective on the materials of sound and their possibilities makes percussion music an ideal forum to hear Ueno's work. The works on this recording share an interest in microtonality, transformation of noise timbres into pitched material, and an investigation of instrumental possibilities.

Max Kutner - Rogue Lash (Orenda Records)
NYC-based composer, producer, and multi-instrumentalist Max Kutner returns with a sonic behemoth of a project entitled Rogue Lash on Orenda Records. The album exhibits a post-genre modernist sensibility rooted in ritualized repetition and abstract expressionism. Kutner treats sound as an evolving process or environment, rather than as a set of discrete songs. He uses repetition and groove as hypnotic or structural mechanisms emerging from a grand collage of funk, industrial, metal, and drone. Additionally, the music exhibits a meta-layer of socio-philosophical dimension based on Kutner’s satirized impressions of people, places and assorted phenomena while living in New York City.

Pharoah Chromium - Chronicles from the Arab Cold War (Discrepant)
Pharoah Chromium is the project of German-Palestinian musician and sonic performer Ghazi Barakat. With Chronicles from the Arab Cold War Pharoah Chromium continues his long-standing engagement with the Palestinian cause, following Gaza (LP, self-released 2015) and Jean Genet à Chatila (7”, self-released 2018). In the summer of 2023, new material began to take shape from a session with flutes, EWI (an analogue synth played like a wind instrument), and belly dancing beats. At first these were instrumentals, waiting for their context. That frame appeared unexpectedly, through the discovery of Chants Révolutionnaires d’Oman on the French label Expression Spontanée — a record that connected seamlessly with the material at hand.



The Early - I Want To Be Ready (Island House Recordings)
"The music and performances on I Want To Be Ready embody this idea over five slowly evolving pieces which manage the neat trick of maintaining a sparkling engagement through mood, rhythm, and texture while somehow managing to avoid explicit statements of melody or groove." Chris Forsyth


Wilson Tanner Smith - Perpetual Guest (Sawyer Editions)
Wilson Tanner Smith - Perpetual Guest (Sawyer Editions)

From Velv.93 to Zone Null

Toshiyuki Tsuchitori & Ryuichi Sakamoto - Disappointment-Hateruma (WeWantSounds)
Wewantsounds presents the first vinyl reissue of Disappointment–Hateruma, the 1976 ALM Records release by percussionist Toshiyuki Tsuchitori and Ryuichi Sakamoto. The album is notable as Sakamoto’s first recording issued under his own name and represents one of the few occasions he explored fully improvised music during the 1970s. It provides a vital document for understanding Sakamoto’s early development as a composer and performer, capturing a period when he was experimenting with ambient soundscapes and textured improvisation.



Velv.93 - Maidstone (Stroom.tv)
Swedish Velv.93’s recent double LP out on Stroom brings upfront a deep dive into ambient, experimental and slow eerie sounds. As described by the Belgium imprint, this album is "a monumental and very heady ambient release, perfect to help out with heavy winter impacts. Lower cortisol, cycle variations and other things that come with the season."

Wilson Tanner Smith - Perpetual Guest (Sawyer Editions)
"Most of the titles on this album come from scraps of signage and other detritus found around the factory, coarsely translated to English, and from the Finnish folk melody that anchors the closing track. This was pulled from Shostakovich's obscure Suite on Finnish Themes commissioned by the Soviet Military in 1939, purportedly to be played in Helsinki after the USSR’s successful conquest of Finland. This, of course, never happened, but it echoes the spirits of silence and tension in Narva, and the role of culture in conflict and communion while these familiar narratives are repeated again during Russia's ongoing invasion of Ukraine." Wilson Tanner Smith

Zone Null [Burkhard Beins & Tony Elieh] - Phase I (Ruptured Records)
Berlin-based duo Zone Null brings together Tony Elieh (Lebanon) and Burkhard Beins (Germany) for an uncommon configuration: two bass guitars routed through analogue circuitry and minimal digital processing shaped in real time. The project evolves from the broad shared ground between both musicians, spanning experimental improvisation, electroacoustic practice, post-punk, electronic music, and contemporary composition. It also reflects a shared interest in the way sound can shift its density and shape through direct, moment-to-moment interaction.
About the Author

Dragoș Rusu

Co-founder and co-editor in chief of The Attic, sound researcher, DJ, and allround music adventurer, with a keen interest in the anthropology of sound.

@dragos_rusu_
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