Staff Picks - June 2025

Staff Picks - June 2025

2 days ago

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Summer is here, so here's a hot-blooded selection of albums and compilations that got our attention and were released over the course of last month. As usual, expect anything from experimental to electronics, free-jazz, krautrock, psychedelic, ambient, traditional, contemporary, noise and much more; both new releases and reissues.

What's new, what's good, what's hot or not, what's obscure or under the radar, music wise, here's the monthly Staff Picks. If you think that we've missed something or want to send a tip, please get in touch.

From Ben LaMar Gay to Coil

Badawi - Deport Me (UPA Recordings)
Badawi - Deport Me (UPA Recordings)
Badawi - Deport Me (UPA Recordings)
"Dear all victimized citizens of the United States and adorable deportables, everyone, I was planning on retiring the Badawi project, but it was way too quiet, so I am back to bring you the Badawi synthpop album you've been unknowingly waiting for, here to deport you to that deep portal of loving sound, featuring the soon to be hit single on the deportation scene Deport Me, Baby, and Import, Export, Deport (it's the American Way). I hope that it deports you to somewhere beautiful, weird, or at the very least, different than this shit." Raz Mesinai

Ben LaMar Gay - Yowzers (International Anthem)
Yowzers is a new album by Chicago composer, improvisor, instrumentalist and musical folklorist Ben LaMar Gay. The twelve track collection is a leap forward in the lexicon of Gay’s recorded output, and a veritable masterwork of ancient inner-body rhythms and intuitive melodic storytelling.

Bourbonese Qualk - My Government Is My Soul (Mannequin Records)
My Government Is My Soul is a searing 1989 statement from Bourbonese Qualk, one of the UK’s most defiant and politically engaged experimental acts. Originally released on the group’s own label, this LP captures the uncompromising spirit of a band deeply embedded in the resistance movements of 1980s Britain.

Chad Kouri - Mixed (self-released)
On Mixed, Kouri –– whose name means “priest” in Arabic –– explores his mixed-race ancestral ties to spirit work. Utilizing sharply honed improvisational skills and intuition he conjures melodies and rhythms imbued with healing energy, like a prayer or meditation, that often feel familiar and brand new, all at once. Mixed is populated by a spectrum of sounds — simple shakers and bells and wood blocks, the chime of a credit card machine, ring tones, room noise, field recordings, and of course melodies on the tenor saxophone as well as a Korg Monologue.

Chaka Chawasarira - Useza (Nyege Nyege Tapes)
In English, the Shona word "Useza" means someone of great skill, meticulousness, and precision, and it perfectly illuminates Sekuru Chaka Chawasarira's lifelong practice. The eminent Zimbabwean artist and educator is among the last remaining masters of the matepe, a large mbira-style instrument that's played with both thumbs and index fingers to expand its rhythmelodic complexity. And on 'Useza', he fully demonstrates the matepe's illusory potential, overdubbing hypnotic sequences to provoke shifting harmonic progressions that ethnomusicologist Andrew Tracey labeled "kaleidophonic" back in 1970.



Charles Kynard - Woga (WeWantSounds)
Wewantsounds reissues Charles Kynard's 1972 cult classic Woga, recorded in Los Angeles for Mainstream Records and featuring top-tier musicians Chuck Rainey, Paul Humphrey, Arthur Adams, and George Bohanon. Produced by Bob Shad, the album stands as one of the label’s funkiest releases, showcasing Kynard’s signature Hammond organ grooves.

Coil - Black Antlers (Dais Records)
Black Antlers showcases late-period Coil at their purest: stripped down, tighter, and leaner. The music became more rhythmic, with a greater emphasis on beats: "the songs we did tend to be more... not rock in any sense of a word, but you know, more conventional in terms of structure, but now what we're doing is sort of within an 'electronic' genre".
deathbycoconut - Dezamăgire 24/7 (self-released)
deathbycoconut - Dezamăgire 24/7 (self-released)

From Costin Miereanu to Farah Kaddour & Marwan Tohme

Content Provider - Endless Summer (Bokeh Versions/Drowned By Locals)
"Endless Summer is grubby and heartfelt, defiant and hopeful, with flecks of warped reggae on E-System nudging the freeform dream balladry of A Feeling and Sunday Morning, Kode9 & Spaceape-worthy dread poetry of Close Ur Eyes next to anthemic electro-crush of Overdrive."

Costin Miereanu - Poly-Art Recordings 1976-1982 (Auryfa/Metaphon)
Auryfa and Metaphon present Poly-Art Recordings 1976-1982, a lavish six-CD box set collecting Costin Miereanu’s legendary series of self-published cassettes and LPs from 1982 and 1984. Culminating four years of meticulous work, this project breathes new life into these recordings, remastered from the original tapes by Stephan Mathieu and accompanied by restored artwork and a comprehensive essay by Vincent de Roguin.

deathbycoconut - Dezamăgire 24/7 (self-released)
Deathbycoconut comes from the years of post-communist socio-economic transition in Bucharest and the disappointment that came with it. Comprising bassist Andreea Valentina Baciu (Suce Fraga), Vlad Ionescu on drums, Alex Bălă on keyboard, Adrian George Dupont (Nitchji oh) on vocals and guitar, and Horațiu Șerbănescu (Plevna), Deathbycoconut is an experimental music band, founded in Bucharest in 2015. The style approach is eclectic and combines several musical traditions (from krautrock and post-punk to hip-hop, electro, and pop). This is their debut album.

V.A. - Discos Not Disco (Ediciones Capablanca)
This compilation featuring 17 experimental/electronic cuts from the likes of Tom Of England, Beau Wanzer, Metametal and many others, is Discos Capablanca final transmission.

V.A. - Edna Martinez Presents Picó: Sound System Culture From The Colombian Caribbean (Strut Records)
Berlin-based Colombian DJ, producer, and curator Edna Martinez presents a sonic journey into the electrifying world of Picó—the vibrant and dynamic sound system culture that has defined the streets of Cartagena and Barranquilla for decades. More than just a musical movement, Picó is a way of life, a bold expression of identity, community, and resistance. From its roots in the working-class neighbourhoods of Colombia’s Caribbean coast to its deep connections with Africa and the Caribbean, this compilation captures the pulse of a culture where music is played at full volume, rhythms travel across oceans, and dance is both a form of celebration and storytelling.



Eugene Chadbourne & Jair-Rôhm Parker Wells - Fed Up With Bass (Public Eyesore Records)
This new release on San Francisco based imprint Public Eyesore Records comprises the duo of Jair-Rôhm Parker Wells (on acoustic upright bass, NS design electric basses & bows, synthesis, modular processing, sound design) and Eugene Chadbourne (on acoustic and electric guitars, personal effects).

Farah Kaddour & Marwan Tohme - Ghazel (Ruptured)
Ghazel is the sound of two musicians in conversation — curious, open, playful. A meeting of hearts and minds. A living organism. Composed of Farah Kaddour on buzuq (TILT, SANAM) and Marwan Tohme on guitar and electronics (Postcards, SANAM), the Lebanese duo began as a spontaneous pairing: an improvised acoustic set at Dar Onboz’s Ahel el Dar concert series in 2022. That performance planted the seeds for what would become Ghazel — a seven-track album of minimalist, exploratory, and emotionally resonant compositions.
Hánkel Bellido - Yavireri: Los que viven en lo profundo (Death Is Not The End)
Hánkel Bellido - Yavireri: Los que viven en lo profundo (Death Is Not The End)

From Héron Cendré to Kim Jung Jae

Felix Kubin - Der Tanz Aller (Futura Resistenza)
Felix Kubin’s Der Tanz Aller is an energetic, rhythmically charged soundtrack created for the performance of the same title by the experimental arts collective LIGNA. The group specialized in site-specific, participatory works. Der Tanz Aller is based on Rudolf von Laban’s radical 1920s concept of ‘Bewegungschöre’ (movement choirs), collective dances in public space that aimed to reimagine social order through shared movement. Combining minimal electronics, acoustic percussion, and brass, Kubin’s compositions reflect both the experimental spirit of Laban and the political charge of mass choreography, inviting listeners to become dancers themselves.

Hánkel Bellido - Yavireri: Los que viven en lo profundo (Death Is Not The End)
Yavireri - a Matsigenka word that can be understood as "those who live in the depths" - describes the spirits of the forest and those who, from within the jungle, sustain a way of life rooted in listening, vision, and oral tradition. This recording is the result of two years of continuous coexistence by Hankel Bellido with Matsigenka communities of the Lower Urubamba in the southeastern Peruvian Amazon. Amongst the rivers, trails and campfires, Bellido recorded the songs, stories and soundscapes where the natural, spiritual, and acoustic worlds intertwine. The Matsigenka inhabit deep territories of Megantoni National Park, an area considered among the most biodiverse and culturally significant in the region. Their language, unwritten, is transmitted through songs, whispers and advice; their spirituality flows through visions, animal-spirits, and the memory of the forest. The main voice of the recording is Edith Auca Ríos, an oral teacher and guardian of songs. Through her interpretations, a sonic worldview unfolds: where one sings to greet the day, care for children, converse with birds, bid farewell to the dead, or return from the invisible world. All recordings were captured in situ, walking or navigating alongside the communities, with no script or objective. It is not a folkloric reconstruction nor an academic document, rather a sonic witness to everyday life in the margins.

Héron Cendré - 5-1 (moli del tro records)
In the vein of 3-4, this new album by Héron Cendré brings together personal archives recorded between 2017 and 2022 — far too beautiful to be forgotten. Minimal and free-form, these finished or fragmentary pieces drift along an invisible thread, somewhere between quiet humor and raw poetry. A fragile and sincere collection, like a long-lost journal found intact after all these years.

Irreversible Entanglements - Irreversible Entanglements (International Anthem)
Irreversible Entanglements’s self-titled debut album was originally released in September 2017, and features the first music ever played together by the freshly assembled Philly/NY/DC-based quintet of poet Camae Ayewa (aka Moor Mother), bassist Luke Stewart, saxophonist Keir Neuringer, trumpeter Aquiles Navarro, and drummer Tcheser Holmes. The explosive collection of improvised free-jazz with spoken word accompaniment was born after the group's initial meeting at a Musicians Against Police Brutality event (organized by musicians/comrades Amirtha Kidambi and Peter Evans following the state-sponsored killing of Akai Gurley).



Kim Jung Jae - Shamanism (Relative Pitch Records)
Comprising Jung-Jae Kim (tenor saxophone), Sunjae Lee (soprano & alto saxophone), Junyoung Song (drums) and Sunki Kim (drums), this is free improvised music with two saxophones and two drum sets. The theme of the music is about identity that is linked to the region and culture, especially a specific folksy and indigenous characteristic in the Korean peninsula from long ago. The whole album describes a ceremony and its atmosphere and each track follows each step that is named by an ideogram.

Lia Kohl & Zander Raymond - In Transit (unjenesaisquoi)
In Transit by the duo Lia Kohl & Zander Raymond (Chicago) is built around a collection of field recordings made in spaces of transit—bus stops, train stations, taxis—blended with the accordion and modular synthesizers textures of Zander Raymond, and the cello and synthesizers of Lia Kohl.
V.A. - Music For A Revolution Vol 1 : Guinea's Syliphone Recording Label (1967-1973) (Radio Martiko)
V.A. - Music For A Revolution Vol 1 : Guinea's Syliphone Recording Label (1967-1973) (Radio Martiko)

From Matthias Puech to Nadah El Shazly

Maksim Mudrinić, Oskar Kovač - Made in Sivac: Serbian Music from Vojvodina (Antonovka Records)
Vojvodina is an autonomous region in northern Serbia. The rivers Danube, Sava and Tisa divide it into three historical regions — Banat, Bačka and Srem, which partially extend into neighboring countries. Gajda is a common name for several types of Balkan bagpipes. In Serbian, the instrument is called "gajde" (in plural). The Vojvodina gajde has a double chanter with a characteristic wooden horn and one bourdon. The air is pumped by an elbow bellows, which makes it possible to sing while playing. Maksim Mudrinić is a musician and bagpipe maker from the village of Sivac, Bačka. He is a key figure in the preservation and revival of the Vojvodina gajde. Oskar Kovač is a musician from Sivac who plays the samica, a plucked string instrument.

Manja Ristić - Sargassum aeterna (Rekem Records)
Rekem Records presents the new album by artist and researcher, Manja Ristić. A classically trained musician and composer whose work extends to dance, theatre and movie production, Ristić also focuses on interdisciplinary approaches to sound, field recording, and experimental radio arts. "Sargassum aeterna is a programmatic four-track album framed by a fantastical narrative set in a dystopian future—the year 2221—where today’s social and ecological contradictions have reached their most extreme conclusions. Within this future world, we witness catastrophes largely of human making: disturbances in the Earth's magnetic field, a global war (North vs. South), destructive ocean mining, and the suspension of human rights." Parežanin



Matthias Puech - Cabanes (Hands In The Dark)
According to Puech, each composition from his new album Cabanes has a distinctive two-part story that are both clear and intriguingly interconnected. The first one often revolves around the anecdotal and tangible aspects of instrumental "play," showcasing a technical exploration with his tools, the discovery of sounds in a library, and the serendipitous encounters that inspired them. The second part, however, delves into the more elusive yet profound state of existence that the French artist experienced while engaging with these sounds, reflecting on the moments he listened and re-listened to them, ultimately deeming them worthy life companions. These two narratives, perhaps reshaped over time like distant memories, interact in ways that can either clash or complement each other, creating a lasting impact on the listening experience.

Misha Sultan + Purpurniy Dyadya - THAI (Aural Canyon)
"This album was primarily recorded in Saint Petersburg between 2021 and 2022. We later reunited in Thailand last year to complete the project. As with our first record, we aimed to capture the spontaneity of the moment. However, this time, some tracks feature overdubs and additional post-production, while others remain mostly improvised."

Monika Pich - Slowmotion (Okla Records)
Monika Pich is a practitioner and theorist of art, author of field recordings, compositions, and soundtracks created for radio and film. Her interests include cognitive processes, stylistic-semantical interpretation, and the analysis of the quality of content, form, and reception of media messages, including multimedia translations.

V.A. - Music For A Revolution Vol 1 : Guinea's Syliphone Recording Label (1967-1973) (Radio Martiko)
From 1967 to 1983, Guinea’s government presented selections of songs on its own recording label, Syliphone. These recordings were revolutionary in many aspects: Syliphone was the first recording label to feature traditional African instruments within an orchestre setting; it was the first to present the traditional songs of the griots within an orchestre setting; and it was the first government-sponsored recording label of post-colonial Africa. Syliphone represented authenticité in action, and over 750 songs were released by the recording label on 12-inch and 7-inch vinyl discs. All are highly sought after by collectors worldwide. This first volume of a two-volume series presents a selection of the best of early Syliphone recordings. The songs demonstrate not only the essence of Guinea’s authenticité policy and of its subsequent Cultural Revolution, but of a confluence of musical styles from Cuba, jazz, highlife and the diverse influences of Guinea’s cultural groups.

Nadah El Shazly - Laini Tani (One Little Independent Records/Backward Music)
Nadah El Shazly, the Egyptian-born, Montreal-based producer, vocalist, composer, and actor, presents her second album, Laini Tani. Renowned for her blending of experimental sounds with traditional Arabic influences and improvisational styles, she’s garnered international acclaim for her genre-defying artistry, mesmerising vocals, and avant-garde arrangements.
Sun Ra - Stray Voltage (Modern Harmonic)
Sun Ra - Stray Voltage (Modern Harmonic)

From Salamat Ali Khan to Toru

Playa Cast - 20 Playa 5 (Pink Shine Records)
is the debut album from Playa Cast, which is an annual mix featuring artists in the Memphis Revival game. It is a tribute to the old classic and the today's underground scene. Inspired by the iconic sound of the South, the album combines both the dark and sunny atmosphere of southern hip-hop with a distinctive lo-fi aesthetic.

Salamat Ali Khan - Metamusik Festival Berlin '74 (Black Truffle)
Carrying on from recent archival releases from masters of Indian classical tradition such as Kamalesh Maitra and the Dagar Brothers, Black Truffle presents a previously unheard recording of a concert by Pakistani vocalist Salamat Ali Khan. Born to a musician family in Hoshiarpur in the northwestern state of Punjab, Khan moved with his family to Lahore in Pakistan after the 1947 partition of India, becoming a child musical prodigy. Khan was a master of the kyhal form of Hindustani classical vocal music, a style integrating influences from Middle Eastern musical traditions that gives the singer a great deal of improvisational freedom. Travelling widely across the globe from the 1960s until his death in 2001, Khan approached ragas performed in the kyhal style as expressive forums for risk-taking improvisation, enlivened by ceaseless ornamental invention.

Stilluppsteypa - Schokolino Choco Loco (Futura Resistenza)
With Schokolino Choco Loco, the Icelandic duo Stilluppsteypa brings a warped dispatch from the outside fringes of experimental sound—part valium-drenched dreamscape, part dadaistic radio hallucination. Like a nocturnal transmission from a parallel universe, the record drifts and mutates through layers of joyous abstraction, laced with a deadpan sense of humour, while at the same time it is strangely sensitive. This LP is less a collection of tracks than a slow-motion joyride through Stilluppsteypa’s singular sonic universe—so hypnotic and absurd, it ends up warming your heart.



Sun Ra - Stray Voltage (Modern Harmonic)
There is no consistency to Stray Voltage — it's a cornucopia. Stylistically, these tracks capture Ra's electronic peregrinations during the 1970s and '80s. The Arkestra — or one or two players — occasionally makes a cameo appearance. But Ra commands the spotlight. A couple of these recordings originated at 1985 gigs at the club Staches, in Columbus, Ohio. Two are from a 1985 lecture series at Berkeley, another from a 1988 concert at the Kuumbwa Jazz Center in Santa Cruz. A few were likely recorded at Ra's Philadelphia home. Others are of unknown provenance.

Toru - Rescue At SW4 (The Trilogy Tapes)
Toru's eight trax take all the time needed – nearly up to 20′, and more often at least 10′ – to work out unpredictable permutations of spiny machine rhythm and rudely activated arp leads that seem to have a jazz-noise-tekno mind of their own.

Xenia Pestova Bennett - Annea Lockwood The Piano Works (Unsounds Records)
This album marks the culmination of a long collaborative relationship rooted in a mutual love of exploring piano resonances, and brings together the complete concert piano works by Annea Lockwood. Xenia Pestova Bennett first discovered the music of Annea Lockwood as an undergraduate music student at Victoria University of Wellington in the late 1990s. Sixteen years later, Xenia finally got to meet Annea and talk about the lives, deaths and memories of pianos while working on Piano Burning in North Wales, subsequently learning the complete concert works and realising other Piano Transplants. Their conversations about music, nature and memory continued over the years in New York, London, Belfast, Peekskill and the two Bangors (Wales and Northern Ireland); while combing the Irish coastline for round rocks to bounce on piano strings and through correspondence.

ZÖJ - Give Water To Birds (Parenthèses Records)
ZÖJ’s sophomore release crafts an evolving sonic landscape where the edges between sound, silence and nature dissolve. Attuned to the moment, the music unfolds slowly and deliberately; drawing you in, asking you to listen deeply, and feel fully. This isn’t background music; it’s an invitation to be present.
About the Author

Dragoș Rusu & Victor Stutz

Dragoș Rusu is co-founder and co-editor in chief of The Attic, sound researcher and allround music adventurer, with a keen interest in the anthropology of sound.

Victor Stutz is a sound adventurer and music selector from Bucharest – currently based in Barcelona - with a background in anthropology.

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