Staff Picks - September 2024

Staff Picks - September 2024

October 15, 2024

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Autumn is here, check out your September music companion. This issue's selection of Staff Picks goes through psychedelic rock, drone, ambient, punk, experimental music, jazz and more. Check out our selection of albums and compilations released in September 2024, both new releases and reissues.

What's new, what's good, what's hot or not, what's obscure or under the radar, music wise, here's the monthly Staff Picks. If you think that we've missed something or want to send a tip, please get in touch.

From Charles Dubois to Eat Skull

Bremer McCoy - Kosmos (Luaka Bop)
Bremer McCoy - Kosmos (Luaka Bop)
Andrei Raicu - Sweet Ermengrade (Orgone Dealers)
Ermengarde is a feminine given name derived from the Germanic words "ermen/irmin," meaning "whole, universal" and "gard" meaning "enclosure, protection".

Bremer McCoy - Kosmos (Luaka Bop)
Kosmos is the third full-length record for Luaka Bop from the uncategorizable Danish band of Jonathan Bremer (on acoustic bass) and Morten McCoy (on keys and tape delay). It is, as its name would suggest, a vibe: “We decided to call it Kosmos,” Morten said, “because for us, it’s this feeling of being able to transcend time and space and just be, which is a very important thing for humans. Even though it's quiet music, it's music that you're able to just dream: have your own dreams, your own inner images.”

Charles Dubois - iiinox (Picot)
This is the debut solo album by french percussionist Charles Dubois, inaugurating the label’s very first production. Dubois has developed an all-terrain, rudimentary approach to percussion, blending wood, skins, bells, scrap metal, and other found objects. Entirely acoustic, this solo performance on augmented drums explores paradoxical spaces balanced between organic textures, improvised technoid patterns, mechanical movements, and raw sound materials.

Dog Faced Hermans - Those Deep Buds Rebalanced & Remastered 2024
Truly a classic from 1994, this last studio album from the Hermans is their masterpiece. From the propulsive, off-kilter hooks and grooves of Blessed Are The Follies, to the flamenco-influenced noise rock of Volkswagen and the disturbing reliving of the My Lai Massacre of Vietnam in Calley, this album brims with energy and intelligence.

Eat Skull - Wild & Inside (Siltbreeze Records)
Eat Skull is an American lo-fi indie rock band based in Portland, Oregon. This was Eat Skull's 2nd full length effort, initially released in 2009.



Edmundo Arias - Guepa Je! (Radio Martiko)
This album takes you back to Colombia of the 50s and 60s. In those days, the tropical music of the Caribbean and Pacific coasts took over the country's mainland music scene by storm. One of the key figures during this period was Edmundo Arias. Together with Lucho Bermúdez and Pacho Galán, Arias is seen as one of the ‘big three’ composers of Colombian tropical music. He was a rather introverted person who avoided being in the spotlight at all cost, leading to his work being less known than his contemporaries.
FOUDRE! - Voltæ (Chthulucene) (Nahal Recordings)
FOUDRE! - Voltæ (Chthulucene) (Nahal Recordings)

From Francesco Leali to Hair and Space Museum

El Khat – القات - mute (Glitterbeat Records)
El Khat’s third album mute belies its title as it careens out of the speakers with a raucous intensity. Formed in the garages and warehouses of Jaffa and now based in Berlin, the group’s ever-expanding vision makes a defiant stand against complacency, conflict and division.



Etran de L'Aïr - 100% Sahara Guitar (Sahel Sounds)
Etran de L’Aïr the Stars of the Aïr, the longest running wedding band in Agadez, capital of Tuareg guitar, return with a new album of sun-schlazed desert sound.

FOUDRE! - Voltæ (Chthulucene) (Nahal Recordings)
Voltæ (Chthulucene) is the sixth opus by FOUDRE!, a trio featuring Frédéric D. Oberland (Oiseaux-Tempête), Romain Barbot (Saåad), and Paul Régimbeau (Mondkopf). As the first work recorded in studio, Voltæ (Chthulucene) is the virtuosic result of a recording session orchestrated by Camille Jamain, sound engineer and electro-acoustician.

Francesco Leali - Let Us Descend (Until Riots)
Until Riots founder Francesco Leali returns with his second solo full length. Expanding on what could be considered an interest as much as an obsession on the culture of cults, minor and major religious movements and behavioural patterns that characterise these themes; Leali embodies a new breed of composition. His ritualistic approach veers into an uncharted surrealism that leaves the listener grasping for air across most of it’s playtime – misgivings are bartered with instances of tranquility further empowered by Leali’s close collaborator Alessandro Branca on cello and double bass as well as Vito Gatto on violin and viola.

Gerry Hemingway & John Butcher - Roulette - New York City (2005)
Hemingway & Butcher first made music together in Georg Gräwe's Grubenklang Orchestra in 1993. In 2000 they organised a US duo tour and have continued to give concerts there and in Europe.

Hair and Space Museum - Human Presence (Beacon Sound)
Hair and Space Museum is Emily Pothast and David Golightly. The pair met in Seattle in 2007 and started playing music together soon after. Golightly is a classically trained pianist and composer whose studies in electronic music included Karlheinz Stockhausen’s summer courses in Kürten, Germany. Pothast was, at that time, a recent art school graduate who turned to music for reasons involving ritual and memory. The music they produce together often revolves around the interplay of Pothast’s powerful voice with Golightly’s vintage analog synthesizers — especially the Roland Juno-60 he’s had since he was a teenager.
Kandodo - theendisinpsych (Forte Music Distribution)
Kandodo - theendisinpsych (Forte Music Distribution)

From High Rise to Masami Makino

High Rise - Disturbance Trip (Black Editions)
Ten blistering performances from Tokyo’s legendary High Rise. Recorded live in 1992, Disturbance Trip is a previously unreleased, distortion-saturated gem from the same era as their third studio album, Dispersion.

Kai Fagaschinski & Yan Jun - Graveyard Processions (NI VU NI CONNU)
Graveyard Processions is the first joint recording by Kai Fagaschinski and Yan Jun. The Berlin-based clarinettist and the sound artist and vocalist from Beijing blur the lines between improvisation on the one hand and record production as well as composition-after-the-fact on the other. The four pieces on »Graveyard Processions« work primarily with Jun’s voice and Fagaschinski’s playing and also add a plethora of other sounds to dizzying effect.

Kandodo - theendisinpsych (Forte Music Distribution)
The Heads’ Simon Price returns to his kandodo project with 'theendisinpsych'; "primitive pieces of psychedelic tuneage+years of wasted time=43 minutes of headphone bliss." It's the follow up to the 2019 collaboration with Wayne Maskell and Hugo Morgan, Kandodo 3 – K3, but this time back in solo-mode. He is now relocated in Northumbria, and has recorded the album himself in his home studio, drawing on his wide collection of music/instruments and the rural environment for inspiration.

Locus Asper Locus - 3 Ânes (Unsounds Label)
Benjamin Bondonneau, Lionel Marchetti and Xavier Charles form the trio Locus Asper Locus. The acoustic instrument ensemble relies on improvisation and a choice of electronic tools to push the exploration of the Sib clarinet to the extreme, as much for its capacity to produce high intensity ‘noise’ as finesse.

Lukas De Clerck - The Telescopic Aulos of Atlas (Ideologic Organ)
Lukas de Clerck explores a niche of archaeological research in music; the aulos is a historical Greek instrument that Lukas analyzed and reinterpreted by a luthier in modern times—navigating this impression as an artwork or living sculptural object, as there is an absence of historical partitions or written information about how to recreate technique on the instrument.



Masami Makino - Omoya: Houses for the Blue Meditation (Fort Evil Fruit)
Tokyo musician Masami Makino returns to FEF with the follow-up to last year's debut album, Youlu Mystique. A central trio of raga-like pieces showcase Makino's fluid, exploratory 12-string picking, which is very much in the lineage of Robbie Basho and his spiritual heir Steffen Basho-Junghans. These are bookended by tracks of detuned guitar amid eerie atmospherics, swirling noise and organ drone. Almost everything was recorded on a 12-string guitar with various tunings, electric guitar, field recordings from the Parvati Valley in India, pitch pipes, and various types of percussion.
Wakuénai (Curripaco) - Music for Shape-Shifters: Field Recordings from the Amazonian Lowlands, 1981-1985 (Sublime Frequencies)
Wakuénai (Curripaco) - Music for Shape-Shifters: Field Recordings from the Amazonian Lowlands, 1981-1985 (Sublime Frequencies)

From Purple Decades to Tiago Sousa

Matthew Pepitone - MP3 (Jollies)
MP3 is the latest album by Matthew Pepitone, co-founder of Pearsoll Peak. This new work, a captivating successor to MP2, ushers in a lush world of ambient soundscapes, resonating with the fluidity and rich textures of untamed terrain.

Nfaly Diakité - Hunter Folk Vol 1: Tribute to Toumani Koné (Mieruba - ML)
Born in 1989 in Bamako, Mali, Nfaly Diakité is a member of the Donsow, Bambara animist hunters. Nfaly Diakité is named after his grandfather, the late Nfaly Diakité, one of Mali’s most respected donso chiefs. Tribute to Toumani Koné is Nfay Diakité’s first solo album, recorded in Bamako in June 2020. On the album, Nfaly is the only singer, providing backing vocals and playing the donso ngoni and keregne. The album is a tribute to the storyteller and poet Toumani Koné, the greatest donso ngoni player since N’gonifo Bourama.

Nídia & Valentina - Estradas (Latency)
Drummer-composer and multi-instrumentalist Valentina Magaletti’s explorative percussions join Afro-Portuguese artist Nídia’s singular beat-making for an exciting new collaboration in dance music. From the first beat, listeners are drawn into a world where rhythm reigns supreme and movement is inevitable. The album explores a diverse yet universal musical language through syncopated drum patterns, pulsating marimba lines, and melodic interludes.



Purple Decades - Fraction of Centuries (Beacon Sound)
When pianist and producer Tristan Eckerson initiated his Purple Decades project several years ago he was seeking to expand his range as an artist by experimenting with new textures and creating an expansive zone of contemplation for his listeners. His sophomore album as Purple Decades, Fraction of Centuries, refines the approach he took with his critically-acclaimed debut, accentuating the naturalistic qualities of his signature sound while maintaining a dialogue of sorts between stasis and movement.

Rob Mazurek - Exploding Star Orchestra - Live at the Adler Planetarium (International Anthem)
The Exploding Star Orchestra is Rob Mazurek’s vehicle for blowing minds and reshaping worlds. For more than a decade and a half, the multi-instrumentalist has guided the variably configured big band through appearances on three continents. Its first performance in his former hometown of Chicago in more than five years determined to be more than just a concert. With support from the city’s Experimental Sound Studio and International Anthem, the Exploding Star Orchestra not only played music from the new Lightning Dreamers LP, but Mazurek and Co. also showed the processes behind its creation.

Sarah Davachi - The Head As Form’d In The Crier’s Choir (Late Music)
The seven compositions on this album, written between 2022 and 2024, form a conceptual suite and an observance of the mental dances that we construct to understand acts of passage; the ways that we commune and memorialize and carry symbols back into the world beyond representation.

Tiago Sousa - A Thousand Strings (Discrepant)
A self-explanatory title in itself, 'A Thousand Strings' drifts fluidly into a celestial realm of cascading melodies and cycling patterns that never feel forced or strict throughout its two hypnotic tracks. Pulsating with life and ecstatic abandon. Taking cues from the tradition of American minimalists like Steve Reich and, particularly, Terry Riley, the Portuguese composer's work flows with a life of his own, that, while acknowledging those influences, transcends them into his own signature.

Wakuénai (Curripaco) - Music for Shape-Shifters: Field Recordings from the Amazonian Lowlands, 1981-1985 (Sublime Frequencies)
In the early 80s, an anthropologist named Jonathan Hill (1954-2023) left his recording equipment and tapes behind in a remote Wakuénai (Curripaco) village along the Upper Río Negro in Venezuela. When he returned almost a year later, he discovered that the village headman and his sons had used the equipment to record 12 hours of tape documenting a bewildering array of local narrative and musical genres – sacred chants, place-names, spirit languages, and, as featured here, the astonishing and mesmerizing sounds of trumpet and flute ensembles. Recorded in a wide range of settings – during all-night sessions in and around the village, while paddling on the river by canoe, and at various locations deep in the surrounding forest, including the mythical homes of the ancestors and animal spirits, these tapes are not only a stunning artifact of indigenous ethnomusicology, they also reveal the deep connection between sound and the shape-shifting animism of Wakuénai (Curripaco) society.

Zeno van den Broek, HIIIT, Gagi Petrovic & Machines - Relatum (MFR Contemporary Series/Moving Furniture Records)
Relatum features two compositions revolving around the relationship and interplay between the human and the algorithmic, bringing together musicians and artificial performers.
About the Author

Dragoș Rusu & Victor Stutz

Dragoș Rusu is co-founder and co-editor in chief of The Attic, sound researcher and allround music adventurer, with a keen interest in the anthropology of sound.

Victor Stutz is a sound adventurer and music selector from Bucharest – currently based in Barcelona - with a background in anthropology.

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