Staff Picks - August 2024

Staff Picks - August 2024

September 24, 2024

Share article:
This issue's selection of the almighty Staff Picks column presents Memphis rap, some classic experimental music, electronics, jazz and more. Check out our selection of albums and compilations released in August 2024, both new releases and reissues.

What's new, what's good, what's hot or not, what's obscure or under the radar, music wise, here's the monthly Staff Picks. If you think that we've missed something or want to send a tip, please get in touch.

From DJ Gawad to Family Ravine

Entjar Tjarmedi, Enip Sukanda, et al - Gamelan Degung Klasik ca. 1972 (Canary Records)
Entjar Tjarmedi, Enip Sukanda, et al - Gamelan Degung Klasik ca. 1972 (Canary Records)
Behrouz Pashaei - Encounter (Zabte Sote)
Born in Tehran, Behrouz Pashaei learned to love music from the songs played on the family tape recorder. He credits his parents' musical taste for nurturing his passion for music. In 2012, he co-founded the rock band "Dast Saaz" with friends, aiming to blend Iranian and Western music. Later, in 2014, he and Arash Bolouri formed the "Baad" band, exploring the blending of Western and traditional Iranian music. In 2017, his involvement in the "Sacred Horror in Design" project led by Ata Ebtekar "SOTE" served as a profound turning point in his artistic trajectory. Throughout his journey, Pashaei has dynamically collaborated with theatrical troupes, filmmakers, and animators, crafting sonic landscapes that amplified the visual narratives of their productions.

Chico Mello, Helinho Brandão - Chico Mello / Helinho Brandão (Black Truffle)
This is a reissue of Chico Mello and Helinho Brandão’s self-titled release from 1984, the first return to vinyl of this classic of Brazilian experimental music with its original cover art and complete track listing. An under-recognised figure whose work inhabits a singular terrain where radical new music techniques and music theatre meet musica popular brasileira, Mello has lived and worked in Berlin since the late 1980s. A student of Dieter Schnebel, Mello played in the 90s iteration of Arnold Dreyblatt’s Orchestra of Excited Strings alongside compatriot Silvia Ocougne, with whom he produced a radical and hilarious deconstruction of MPB classics on Musica Brasileira De(s)composta (an early and rather atypical release on Edition Wandelweiser).

DJ GAWAD Presents: VOLUME 1 (Drowned By Locals)
A Jordanian/Palestinian Memphis gangster rap parody par excellence, the album is infused with satirical commentary on the state of the contemporary music scene, yet DJ GAWAD shows as much as he tells, expertly fashioning a sound that makes you wonder about the identity of the artist behind the braggadocious persona of the self-titled "best producer in the Middle East."



Entjar Tjarmedi, Enip Sukanda, et al - Gamelan Degung Klasik ca. 1972 (Canary Records)
The sound of the bamboo flute is melancholy,
It makes sad people even sadder.
The sound of the degung is deep,
And comforts those who are upset.
-from the lyrics to “Berber Layar” (Hoisting the Sail), translated by Win van Zanten, reprinted in Rachel Swindells’ dissertation "Klasik, Kawih, Kreash Musical Transformation and the Gamelan Degung of Bandung, West Java, Indonesia,” which has been the main source for the notes by Ian Nagoski which can be found in this release.

Family Ravine - (I’ll) waltz in and act like (I) own the place (Death Is Not The End)
K.W. Cahill records and plays acoustic and electric guitars, mandolin, karimba, melodica and an AM/FM portable radio on March 2024 time.
Kankawa Nagarra - Wirlmarni (Mississippi Records)
Kankawa Nagarra - Wirlmarni (Mississippi Records)

From Gonçalo F. Cardoso to Lia Kohl

Forest Casual - Drum, Botany & The Brash (Scorpio Red)
‘Drum, Botany & the Brash’ is the product of six months of outings and studio sessions by Forest Casual. These songs assemble nocturnal field recordings, barely metric rhythms, the May Day dawn chorus, wilted bouzouki and wood-pigeon wub.

Gonçalo F. Cardoso - Exotic Immensity (Discrepant)
More than two years after the release of 'Impressões de Outra Ilha', Discrepant's head honcho returns home under his birth name with the appropriately titled 'Exotic Immensity'. Conjured from the seeds of an exhibition of dioramas at Le Bon Accueil in Rennes, this double LP feels quietly epic in scope, a sprawling travelogue through imagined scenarios and what if possibilities.

Kankawa Nagarra - Wirlmarni (Mississippi Records)
Aboriginal Australian blues, country, and gospel by the great Kankawa Nagarra, Queen of the Bandaral Ngadu Delta. These intimate recordings introduce the world outside Australia to Kankawa Nagarra, a beloved Walmatjarri Elder, teacher, human rights advocate, and environmental activist. Recorded live near her home in Western Australia, these twelve acoustic guitar and vocal tracks offer a glimpse of Kankawa's far ranging humanity, humor, and lived experience. She shifts between musical styles and languages, backed by night bugs and the call of birds. Recorded by Kankawa's longtime friend Darren Hanlon, the sessions are relaxed and warm. It's a true gift - the experience of hearing Kankawa on her own land, in her own words.

Lia Kohl - Normal Sounds (Moon Glyph)
It’s not difficult to find beauty in the sounds of nature – ocean waves, birdsong, rainfall – but it's easy to overlook the charm and wonder of everyday anthropogenic sounds. Equal parts reverent and playful, Normal Sounds is built around field recordings of human-made, non-musical sounds: fridge drones, grocery store beeps, car horns. Lia Kohl alternately hallows and mimics them, offering them to the listener in a new light. Using a textural cloud of cello and synthesizers, with a few notable contributions from wind players Ka Baird and Patrick Shiroishi, Kohl brings out beauty in the world’s inane noise.



Michèle Bokanowski - Cirque (Kythibong Records)
The Circus is a place of lights and colors, but also of shadows, even darkness. Admittedly, it delights children and makes adults laugh. But you only need one rainy autumn evening near a circus tent and the smell of fodder to think of the sadness of the clowns, the endless training of the animals and the freaks who are hidden in some caravan... cinema, the essence of the circus – movement, light, danger and burlesque – will have been admirably rendered in Notes on the circus by Jonas Mekas (1966), one of the inventors of the filmed diary. With Cirque, Michèle Bokanowski does similar work, entirely dedicated to spinning, in the musical field.
Soren Skov Orbit - Adrift (Frederiksberg Records)
Soren Skov Orbit - Adrift (Frederiksberg Records)

From Ornette Coleman to Smote

My Heart, An Inverted Flame /// Apparitions - My Heart, An Inverted Flame /// Apparitions (Deathbomb Arc)
My Heart, an Inverted Flame, the synth-doom duo of Andee Connors (Thrill Jockey signed A Minor Forest) and Marc Kate (I Am Spoonbender, Never Knows) eschew traditional doom weaponry (i.e. guitar and bass) entirely, to generate something at once doom-adjacent, but at the same time, wholly other. Apparitions is the sound of violent contradiction. The synthesis of molten drones with cataclysmic percussion - worlds that are so at odds with one another, they become unified in moving stillness.

Ornette Coleman - Chappaqua Suite (mono) (Canary Records)
“I don’t think of a composer as being any more special than his relationship to the society he is living in. He has to work hard like a man that is digging a ditch to get the things he wants out of life — which I haven’t found out how to do yet. […] To me, human life has a goal and that is trying to achieve something good. Anybody that is doing less than that has got to be mixed up. Everybody is trying to improve. When I’m playing I’m just interested in one thing — how good can it get?” - Ornette Coleman, April 1967

Shatr Collective - Poppies in October / شقائق النعمان في تشرين (Ruptured Records)
100% proceeds will go to ULYP Gaza Student Emergency Fund, supporting Gazan medical students. Please give what you can. This collection of poetry and music questions and explores matters of language, violence, and the intertwined fates of Palestine and Lebanon, with particular focus on the atrocities perpetrated by Israel in Gaza since October 7, 2023. The brainchild of Sarah Huneidi, Nadine Makarem, and Theresa Sahyoun, Shatr is a collective that aims to excite, maintain, and nurture the culture of poetry in Beirut, and showcase modes of expression where poetics are allowed to flourish.



Smote - A Grand Stream (Rocket Recordings)
Daniel Foggin, guitarist, writer and chief architect of Smote, presents the band’s latest album A Grand Stream. "I’ve done this pretty DIY, and done stuff that will give most sound engineers nightmares", he laughs. "I’m really happy with the production on this one; it feels like one sonic journey".

Soren Skov Orbit - Adrift (Frederiksberg Records)
Søren Skov Orbit's debut album, "Adrift," is at once subtle and profound. The Danish saxophonist and his collaborators have created something quite special and consistently deep. This record may not easily be classifiable, but the most interesting music creeps between the lines.
Suzanne Ciani - Buchla Concerts 1975 (Finders Keepers Records)
Suzanne Ciani - Buchla Concerts 1975 (Finders Keepers Records)

From The Scientist to Throbbing Gristle

Suzanne Ciani - Buchla Concerts 1975 (Finders Keepers Records)
"This record represents a musical revolution, a scientific benchmark and a trophy in the cabinet of counterculture creativity. This record is a triumphant yardstick in the synthesiser space race and the untold story of the first woman on the proverbial moon. While pondering the early accolades of this record it’s daunting to learn that this record was in fact not a record at all… It was a manifesto and a gateway to a new world, that somehow never quite opened. If the unfamiliar, modernistic, melodic, pulses, tones and harmonics found on this 1975 live presentation/grant application/educational demonstration had been placed in a phonographic context alongside the promoted work of Morton Subotnick, Walter Carlos or Tomita then the name Suzanne Ciani and her influence would have already radically changed the shape, sound and gender of our record collections. Hopefully there is still chance." Finders Keepers

The Scientist - Direct-to-Dub (Night Dreamer)
With over 60,000 recordings to his name, Scientist (born Hopeton Overton Brown) is one of the most influential figures in dub. From Studio One to King Tubby’s, Channel One to Tuff Gong, he worked at Kingston’s premier studios, pioneering recording techniques and elevating the dub mix into an art form in his own right.

Throbbing Gristle - The Third Mind Movements (Mute)
Throbbing Gristle unveils a brand new reissue of The Third Mind Movements, released commercially for the first time on CD and vinyl via Mute. Formed in 1975, Throbbing Gristle, aka Chris Carter, Peter 'Sleazy' Christopherson (1955-2010), Cosey Fanni Tutti, and Genesis Breyer P-Orridge (1950-2020), fully delivered on punk’s failed promise to explore extreme culture as a way of sabotaging systems of control. Their impact on music, culture, and the arts has been immeasurable and still felt today.

Tristwch Y Fenywod - Tristwch Y Fenywod (Night School)
Singing black-lit liturgies of bog bodies caked in mud, entranced by nocturnal landscapes flickering in the moon-glow and powered by queer enchantment, Tristwch y Fenywod are a Welsh-language gothic avant-rock power-coven. Exhumed from the depths of Leeds’ experimental underground, the trio consist of Gwretsien Ferch Lisbeth (Guttersnipe, The Ephemeron Loop), Leila Lygad (Hawthonn) and Sidni Sarffwraig (Slaylor Moon, The Courtneys).



Wihtner FaGo - Non Axebo Redit VA (Behuá Icára)
The third release of Behua Icára is a VA collaborative material of reworks from the album Non Axebo by Withner FaGo, an activist and rapper from the Shipibo Konibo Xetebo community. Singing in his native language, FaGo narrates myths and legends, as well as stories of cultural and environmental resistance from his community in the central Peruvian Amazon.
About the Author

Dragoș Rusu & Victor Stutz

Dragoș Rusu is co-founder and co-editor in chief of The Attic, sound researcher and allround music adventurer, with a keen interest in the anthropology of sound.

Victor Stutz is a sound adventurer and music selector from Bucharest – currently based in Barcelona - with a background in anthropology.

Share this Article